Teresa Cowley Fine Art

Garden Beauties, oil, 11"x14"

2012-03-06T14:26:00.000-06:00

I used a different camera and put the painting in a different area to take another image, and tried again. This is closer. :)

I'm pretty happy with it. ..time to leave it alone and move on to other work.

A Special Trip into Georgetown, Washington, DC

2012-03-03T19:38:00.000-06:00

Today we had the delight of making a trip into Georgetown, Washington, DC, to see a painting done by our niece, Nicki Caturano, who is still in high school. She is a finalist in the national exhibit in honor on Dr. Seuss's Art and Birthday (today he would have been 108)! We're so proud of her. Her painting is hanging in P & C Fine Art Gallery on M Street, Georgetown. As you walk into the gallery her painting is right behind a bronze sculpture, "Adam", by Frederick Hart. Nothing like hanging out with the greats! Below are a some images of her painting! ...oh, the places we pray you go, with the Lord, dear Nicki! ...and for the blessing of where you have already gone, we give thanks!

Decison making...

2012-03-02T16:15:00.000-06:00

"Garden Beauties", oil, 11x14
With every painting I do there are decisions, decisions to be made.

This case is no different.

The shadows on the viewer's lower right hand side are from the light coming through the window on the viewer's left hand side (not pictured). The light was very dramatic in the reference photo. Light and shadows fell over the tomatoes and onto the board (a large board on which the tomatoes are sitting).

I'm wondering which shadows on the board (the lower right hand side) that I like better. In the image above, or the image below.

The image above has shadow lines that are a little bit less distinct than in the image below.

I am thinking that the eye will travel through the picture better in the image above. Also, it won't travel off the canvas as easily.

However, I still like the more distinct shadows. Enough to wonder which version is best. For the record, the painting now looks like first image above.

"Garden Beauties", oil, 11"x14"

2012-02-27T20:23:00.000-06:00

This is done from a reference photo taken two summers ago. These tomatoes were picked from our garden and used to make homemade salsa. Yummm....! We also grew our own jalapeno's and green peppers.

This isn't a good pic, but it'll do for now. Before I work on getting a better image this will likely change... I see a couple things that I'd like to work on repainting at another time.

Spent time writing this week...

2012-02-10T22:24:00.000-06:00

I've had the honor of having two humor columns published in the Oil Painters of America, "Brushstrokes" newsletter. Writing this column (or any other, for that matter) has been something that has not been on my life checklist.   This has turned into a bit of a discovery process for me.   I wrote one humor column a lonnnng time ago in school and it got rave reviews, but my focus was elsewhere.

The title of my column is "Dear Dabby". It's an advice column to artists.   Humorous (I hope, I hope! :)).   The first column was published in the Summer, 2011, issue. The next, in the Fall, 2011, issue.

The email requesting a new column for the next newsletter came a couple weeks ago.   No rush.   Thankfully, I have been putting down silly thoughts in a "Bits 'n Pieces" word file for future Dabby material. It's weird how the inspiration sometimes hits. There's no telling.   In the shower.   Watching political stuff in the news.   Sometimes, as I'm driving, a thought will occur. When that happens I hold onto it until I can put it into the Notes file in my iPhone.

Finally, my schedule opened up this week, and I spent some time writing on Monday, Wednesday and, basically, all day today. Writing and rewriting...   and then I changed it again. Then back through the whole process once again. I was almost bummed about the whole thing... it's only 300 words (give or take a couple), but it seemed like I'd never get it done. And, actually, the 300 word limit has helped me to pare down, eliminate redundant writing and sharpen up my thoughts.

Anyway, this time the process was s-l-o-w going and it just wasn't coming together as before.    Then, viola!, I divided the material up into two columns.   I tweeked the first one some more (oh, about three more rewrites!); happily, with much more ease, I finished the second one.

What a relief. Having the pressure to get it done was good and spurred me on, but it is soooo nice to be ahead.

One more project to check off and then back to painting!    Can't wait...   miss my easel and playing in paint.

This might be a bit of boring post. Sometimes life is like that. I appreciate the mundane, though. Makes the other times all the more sweeter.

...more later! :)

sdg

"Artist Model", oil, 20x16

2012-02-08T22:31:00.000-06:00

Finished this painting after carrying around the drawing for -- oh -- years!   The drawing was done in open studio at the Coppini Academy of Art in San Antonio.

My oldest granddaughter wanted me to paint her hair blond... no prob. And she wanted her to have a pink and purple dress... well, not this time! :)

I had fun with this.   I'll probably change it some, but not right away. Other projects have come to the forefront.   Stay tuned, though!   It could change tomorrow.

Home again...

2012-02-06T00:33:00.000-06:00

I'm home from traveling this past weekend to Stamford for the Connecticut Society of Portrait Artists "Faces of Winter 2012" exhibit...

I took with me a book that I keep by my easel that was written by John Howard Sanden.   From the time I began to do portraits I have referred to his book.    It was such an honor to meet him, ever so briefly, and to get his autograph in that book!    Sooo cool.    I didn't get to tell him that it is always right by my easel for reference and help, but he probably figured that out anyway... :)     I don't think I could have gotten started without his book; I expect to continue to learn from it as I go along.

It was quite a privilege to see several great demos done by current masters... amazing artists. Amazing demos. A demo by Igor Babailov brought tears to my eyes that spilled over -- incredibly beautiful work as Babailov was establishing/drawing his pastel painting of Daniel Greene before adding skin colors. A perfect piannisimo note stronger than triple forte. Then, a tenuto note around which the entire phrase was built.   Silence at just the right time, readying one for the rushing sforzando.

...a weekend of learning and inspiration!   The time, however, ended too soon.    Just because I could have stayed longer -- just because. Sad to me that we could not stay for the last couple hours...   :(    Not going to let it bum me, though.   I'll think on all the good instead.

Have to say that when I saw my painting exhibited alongside so many wonderful artists' works it was almost unreal. Like the acceptance email, I had to walk by it and through the gallery more than once to figure it out...

...time to unpack, process (lots to think over), and get back to painting!

...with a grateful heart...

SDG

"Jessie", oil, 11x14

2012-01-28T11:28:00.000-06:00

Did some adjusting and repainting and finished this a while back but it didn't have an image. I hope I can get to the point where I can finish something and, yes, it is "done", but as I learn more about painting, I keep seeing a way or two or more to improve what I've done. *sigh* Takes longer to do the changes, but I guess I'm willing to go through the process in the hope that I'll retain and keep what I learn... ! ! !

Faces of Winter 2012 | Connecticut Society of Portrait Artists | Jan 30-Feb 24

2012-01-11T09:39:00.075-06:00

What a great artist the festival is honoring! I'm humbled and thrilled to have a painting in the exhibit. The graphic below arrived in my inbox yesterday, along with a link for more information: Faces-of-Winter-2012

With a thankful heart...

2012-01-10T17:40:00.000-06:00

I am so happy to share that one of my paintings, "Angela", juried into the Connecticut Society of Portrait Artists, "Faces of Winter 2012" Exhibition (Jan 30 - Feb 24). What an honor! I am still pinching myself. I feel kinda like a kiddo... don't say it out loud, or it won't happen.... egads! I painted her twice. This one in oil, and another in pastel.

Here's "Angela"...

SDG...

A new year...

2012-01-04T20:39:00.000-06:00

...amazing how time flies!    I don't know where 2011 went.   It was a difficult year as I struggled the last half of it with health issues.

The promise of the new year is wonderful.   My health issues seem to be clearing up.    *grin*   My weight is still about the same!    *grin*     Dropped off a painting for an unjuried exhibit today.   *grin*   Talking to a client about doing another portrait!   This one, of her husband.   *grin*    So thankful for my dear husband!   *grin*    Spent time today with a long-time friend!   *grin*    Went to pick up some paintings from an exhibit but they contacted me while I was on the way, and they'd like to keep them another month!   *grin*   The strange noise my car has been making is better!   *grin*     Love the kiddos -- all of 'em!   *grin*    A brother I love and who needs help has been given unexpected help!   An answer to prayer.    *grin*

...still, though, those New Year's Resolutions!    I surely need to be more disciplined!    Get some additional art training this year!   Walk more.   More salads.    Fewer sweets.   Learn more about cooking Chinese!

Pray for opportunity to love family and friends, and the wisdom to know how to do so if there is a difficult situation. Enemies...   we all have them.    I pray to know how to love them, too.   Thankfully, I don't have to like them!   Just love them --   creative love from a distance will work.

May the God of Hope fill us with his love, compassion and wisdom throughout the 2012. I pray my heart will be thankful and this will be a year without regrets. One filled with answers to prayer.

Bless the Lord, Oh my soul, and all that is within me bless His Holy Name...

Preview of 2012 Pocket Calendar

2011-12-16T18:57:00.001-06:00

Here's a preview of the calendar... this is even better than the badge that I used in the previous blogpost.. :) We have such amazing technology today! It's fun to use, I have to admit.

2012 by Teresa Cowley | Make Your Own Book

This project is something I decided to do for clients whose portrait I have had the privilege to paint... and, also, for myself! I love having a small pocket calendar to carry. If you have any question please feel free to contact me! ♥

2012 Pocket Calendar

2011-12-16T18:35:00.001-06:00

I am excited to announce a 2012 Pocket Calendar that I have put together using "Blurb.com". It includes some fav artwork, as well as works completed for clients. Each month has a different painting to accompany it... To preview the calendar, or for information to purchase, click the badge below:

2012

Pocket Calendar

By Teresa Cowley

Book Preview

I am awaiting my own order!

"Best for the Holidays Exhibit", Benfield Gallery, Severna Park, Maryland

2011-11-30T20:21:00.001-06:00

Below is a composite image of the four paintings that I am honored to have in the "Best for the Holidays Exhibit". It is up through December 31st.

I'd like to invite you ! This is a wonderful gallery and the people there, along with the artists, are simply the best! There are many wonderful artworks (not just paintings) that could become a very special heirloom gift for this holiday season. I believe you would truly enjoy your visit! ♥

If you have any question, please feel free to drop me a line at: info (at) teresacowley (dot) com!

Blessings and Happy Holidays!

Yesterday...

2011-11-20T20:09:00.000-06:00

I delivered four paintings to Benfield Gallery in Severna Park, Maryland. I was tickled and honored when the invitation came to show my work in their exhibit, "Best for the Holidays". It will run from Nov 23 - Dec 31. What a blessing to be a part of it.

(Thank You, God, for this wonderful opportunity!)

"Solomon's Island, Maryland", 11x14, oil

2011-11-01T14:25:00.000-05:00

We visited Solomon's Island, Maryland on a beautiful and peaceful day in the summer of 2010. I took along some water colors and attempted a very unsuccessful study. (At least I tried!) But I did get some good reference photoes... this was done from one of the photos taken that day.

When I was painting this, I was reminded just how much of a thrill I get when looking at beautiful landscapes -- whether in person, or in paint. That thought made it harder to paint... Nonetheless, I am happy with my little painting and now I want to become more proficient in landscape. Guess it is time to go through more of my reference photos.

October busy - ness

2011-10-25T18:23:00.000-05:00

Life has been so very busy -- but -- I have managed to get some painting time in.    Yea!

I'm just about finished with a landscape, have another portrait that will be finished soon, and reworked another portrait that was put aside for a while.

Also working on another Dear Dabby column!   :)

Getting published... and doing a Happy Dance!

2011-10-07T12:17:00.001-05:00

Something new has happened in my life. Something unexpected and not thought of before... I wrote an article on plein air painting and submitted it to the Oil Painters of America newsletter. It was accepted and published in the current newsletter for Summer of 2011. Wheeee! Happy Dance, here! :)

Here's a link to read the newsletter.. Below is what I wrote. I sincerely hope you enjoy it, as I had fun writing it. I have to say that not only am I honored, but it wazzz on the humbling side to see "Dear Dabby" published.

________________________________________________________________________

Dear Dabby,

I am a portrait artist and especially enjoy painting children. Lately, though, I’ve wanted to paint something that can sit still.

I’m thinking about rock portraits. What say you?

Signed,

Wanting a change

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

Dear Wanting,

I say move out of the studio to paint en plein air. Rocks are quite accommodating and wonderful to paint, able to hold a pose for hours.

Although you likely know the drill, some thoughts, nonetheless, on plein air painting…

Be Be mindful about what kind of pollen fills the air and when. Pollen Deco contributes greatly to that fresh, alla prima look and helps to lead the viewer through the painting. The wind will usually distribute it over the best parts. Inspiring, I tell you. Some artists have been known to further enhance their artwork with a dash of dirt here and there -- using the Pollack Method of Application, of course.

- A popular song you might hum as you work: “The gnats go marching one-by-one, hurrah, hurrah! Around the colors they will roam, hurrah, hurrah!” Be careful not to conduct this Great Chorus with your brush as you attempt to reroute these delightful creatures!

- As you work, you can take out whatever distracts from the scene, but when Little Susie’s mother inquires as to whether you will paint her darling on the bridge, remember to say, “Why, [considered pause] yes!” Her mother might buy the painting, after all. (Don’t be bothered by any ka-ching you hear… stay focused.)

- Be prepared to summarize, in 15 minutes, everything necessary for Onlooking Wannabe to paint his masterpiece. After all, McPlein Air Drive-Through R-us. Never mind that the light is changing, changing.

- The best part -- you will return again and again to respond to the awe-inspiring beauty you see, no matter the hazard or challenge. Just come prepared, and paint the light!

Love,

Dabby

_________________________________________________________________________

...time well spent in the studio!

2011-10-05T21:19:00.002-05:00

I have not painted in oils much in the last few months. Simply put, I've had an injury that has needed time to heal. I did, however, manage to do some drawing and a couple pastels.

Last week I was able to get to my easel and begin to paint again. I have a portrait about done, and I worked on a small 6x6 rose painting. I was in pain while I was working on the rose painting, and I think that can be seen in the painting. I made myself finish that little painting.    I just didn't want to give up.

Today, I worked on a landscape. It was fun again. Finally. I was in the zone.

Soooo... I have one finished and two others that I'm working on. Yea! I'll probably turn them to the wall and go back after a period of time to finish them. Other paintings are in my head waiting to come out.

I'm not back up to speed just yet, but it duzzz feel good to be painting again.

:)

A Fun Reception...

2011-09-24T20:19:00.000-05:00

What a fun time at the Benfield Gallery Reception.   I loved meeting the other artists and seeing my work displayed alongside theirs.   Fun chatting and, as always, staying till the end.   When we walked in the door it was fun to see my pic near the entrance and next to some cookies!   Yea!

Lots of wonderful art to see if you can make it by! We bought an elegant watercolor (landscape) for our own home.    After going out to din-din afterwards, I need to sell my painting to recoup!

Justa note:   I wore three necklaces and three bracelets! Ha! I love trying to, ummmm, look the part of an arteeest. Ok. Maybe the grandma in me is a little bit too strong to get away with it much anymore, but it's okay. I loved it anyway.

Oh, and I wore rings on four fingers.   And, a watch.   Grin....

Accepted into juried exhbit :)

2011-09-17T13:14:00.000-05:00

__________________________________

Celebrating The Spirit of Local Emerging and Professional Artists

Fall Juried Exhibition

485 Jumpers Hole Road ~ Severna Park ~ 410-544-2299

September 17 ~ October 15, 2011

“On Tap”, oil, 14”x12” by Teresa Cowley

Meet the Artists

Reception ~ Saturday, September 24, 2 - 4 p. m.

Benfield Frame Art Gallery

_____________________

Yep, I'm 'jazzed'... :) If you are in the area I hope you can come by and see my work, as well as that of the other artists. Please feel free to contact me for more information: info (at) teresacowley (dot) com

2011-09-11T19:38:00.002-05:00

Excerpt of blog post by Keith Bond on Fine Art Views Blog

2011-09-06T17:22:00.001-05:00

Well worth the time to read. There are over 200 responses to what he wrote.

________________________

The Two Plein Air Artists

by Keith Bond

When painting on your own, the only rule is to do what works best for you to achieve your vision. Be it completing the work on location; finishing it in the studio; or using the study to inspire a new, larger studio work. But again, the questions. Should there be a standard at an organized event? What should that standard be? Where do you stand on the issue? Or does it not even matter? [...]

Read the rest of this article at:
http://fineartviews.com/blog/34726/the-two-plein-air-artists

----------------------------------------------
This excerpt appears courtesy of FineArtViews Art Marketing Newsletter by FASO,
a free email newsletter about art, marketing, inspiration and fine living for artists,
collectors and galleries (and anyone else who loves art).

For a complimentary subscription, visit: http://www.fineartviews.com

__________________________________________________

Keith wrote a second post summarizing the responses: Abstract v. Representational 2

Paul DeSold - The John Singer Sargent Method of Painting

2011-09-05T10:34:00.000-05:00

I found this short video on youtube. I liked the hint DeSold gives while doing this demo and the way he demonstrated it... as he was working on a portrait, he simply said to not scrub, but instead to immediately load up the brush for the next stroke of paint.

It was short and sweet and memorable. I could see the painterly look presenting itself in the very beginning.

I love seeing a painting that is done loosely and with generous application of paint. I'm hoping to do more like this, myself, and become comfortable with laying in more paint with each stroke.

Here's the video link.

The 30 Harshest Artist-on-Artist Insults in History

2011-09-03T11:29:00.002-05:00

Here's the link. http://flavorwire.com/204165/artist-insults. Amazing stuff said. No comment from moi, except it izzzz enlightening.

About time to get back to normal...

2011-08-29T19:45:00.000-05:00

What a time this has been!   Let's see.   Tornados all over the country, to include not too far from us.   An earthquake.   And now a hurricane.   There are two tropical storms brewing right now.   One, I heard is likely headed this direction.

Hmmm...    seems like a crazy time when it comes to the weather. I thought the area we lived in was pretty quiet as far as these things go. I guess not.    Other areas are suffering, too. The extreme heat and drought in Texas, for starters. An earthquake in Colorado.

We experienced Irene in our neck of the woods. Thankfully, we're far enough inland so that it was a minimal... 40 mph winds with an occasional gust more than that.    Lots of trees down where we live. Other than power outages, there is, thankfully, not a lot to talk about here.    Glad for dry ice, generators, weather radios, batteries, etc.    We're not back to normal just yet.    May it come quickly.

Hope and pray the folks in Vermont's flooded areas recover soon...

An earth shaking day yesterday.,..

2011-08-24T22:34:00.000-05:00

Yesterday...

I believe God answered many prayers yesterday, and calmed what could have been a true catastrophe.

One of my friends was awakened the night before and labored all night in prayer, mentioning those she knows personally, including family and friends on the east coast. She kept waking up and praying. She posted about it in the morning hours before the earthquake. No, she didn’t know an earthquake was about to happen. She was simply burdened to pray… and spoke to God about the concerns in her heart.

As I experienced the earthquake, I was so scared at first I couldn't pray. But the words came as I called upon the name of the Lord. I'm sure many, many others were also calling out to God along with me as we faced thepr tremors.

This morning I read the following verse: "The king's heart is in the hand of the Lord, like the rivers of water, He turns it wherever He wishes." Now that isn't talking about an earthquake, but I was struck by the part that alludes to His ability to turn a river wherever He wishes, reminding me that the forces of nature are under His control.

He was merciful to us and the damages were minimal. But, if the outcome were different, still my heart would be crowded to the thought of His mercy and love that has brought me thus far and will bring me the rest of the way, no matter what the circumstance. What amazing grace.

...ending the day with a thankful heart.

"Wedding Present", oil on linen, 18"x14"

2011-08-15T13:03:00.002-05:00

This is the portrait that goes with the post of June 14th, when I commented on painting the beautiful smiles you see here!   Yes, their smiles were a challenge, but I simply decided to 'do the work'.   Whatever it took.

This was done as a wedding present. He did not know about it, until she gave it to him on their wedding day! How she kept it a secret, I don't know. :)   It was quite an honor to have painted this for them on their special day!

Selecting an image for their portrait was difficult because there were so many good ones from which to choose. In each image I saw, their devotion and joy in each other was so "there". But, this pose was from their favorite picture of each other.    Interestingly, it kept coming back to me as well, and I was glad that she wanted this one.   In the original image her hair was in a different style, but she opted to have it as it is here.   I was able to gather the information for her hair from other images.

We corresponded entirely through emails through the process of doing this portrait. I did not meet her until she came to pick it up. After I met her it made this portrait even more special, as my "suspicions" were confirmed in thinking she's likely a beautiful person inside, as well as out.    Ah, young people and young love. How beautiful it is and, they are.

I hope life's best will belong to them.   There are so many blessings to be seen and known along our way...

Breakin' dah roolzz...

2011-08-14T20:26:00.001-05:00

This is so different from what I do.   Yes, this is something that I've done...   yesterday I pulled out my pastel pencils and knew it was going to be a different experience.   I could feel it in my drawing and painting hand.

This was fun. After sketching her, I decided to pick some different colors than usual, along with some I would regularly use, and to go for it no matter how it turned out.   The eyes aren't right.   So what?   Who in the world has big hair like that?   No one that I know.    Okay, whats' with the different colors in her skin?    What's the matter, you got a problem?

I loved breaking 'dah roolzzz'.    (Maybe I'm being influenced by some of the crazy portraiture I see today... ???)

Anyway, there is so much that is not right about this, that somehow it ends up being okay. I wish the colors were a little bit closer so you could 'really' see it. Well, maybe you'd rather not.   :) I'd understand.   (As with so many of my images, the colors are better 'in person'. I'm still figuring out how to use my wonderful camera.)

In my studio there's a sign that says: "I live in my own little world, but it's okay.   They know me there."   Now, maybe I know myself a little bit better.

I think I have learned a little bit more about which 'rules' mean the most to me. It occurred to me to follow a couple even while doing this...    guess that's good news.   Perhaps those have become part of who I am when painting.

I kept asking myself, "Now, why are you doing this, Teresa?"    The consistent response:   "It's just some paper, pastel and a little bit of time.    Just play with the color."

I loved it, I admit.   Maybe because I work soooo hard at getting a likeness in someone's portrait, this expression felt good for the soul.    ...instead of painting carefully, so that a smile is understood as a smile and not a sneer, I could just paint a shape or two and let it be done!    Voila!   It's done and over.   No prob...

Yes, this was a break from my norm.

If I do something like this again, would I go out on the limb a little bit farther?

...nah.    This feels far 'nuf.    I have a feeling I'm going to love whatever I do next...   the rules will feel like old friends that have come back from their family vacation...   maybe we'll have a bar-b-cue to renew our friendship.   The weather now is just right.

"Spanish Beauty", oil, 5"x6"

2011-08-09T13:21:00.001-05:00

This is painted from a reference photo of a model at the Coppini Academy in San Antonio.   I've had the photo for years and did a painting of her from life, but still wanted to paint her again.

She had spotlights on her and the lighting was a challenge. In fact, as I look at it again, I can see where I can improve it. Seems to be my schtick...

What I'm very happy about is the size of the painting.   5 inches by 6 inches...   yeah! The last time I painted this small (a few years ago), I didn't think I would like to do it again, but I enjoyed it this time, and will do some more.   What's that ole saying... if at first you don't succeed, try, try again! :)

Article from the Financial Times: Hidden Persuaders (top art advisers)

2011-08-09T10:36:00.001-05:00


Thea Westreich in her NYC offices

Hidden persuaders

By Georgina Adam

A look at the (very private) world of the top art advisers

Excerpt:

"They don’t figure in the lists of top collectors, yet they spend millions every year at auction and at dealers. They get first dibs on the most sought-after works of art at the top fairs, yet outside the art world their names are unknown – and they like to keep it that way. They work in a profession that hardly existed 10 years ago, which is expanding rapidly, and for which there are no recognised qualifications. Yet their taste can mould what collectors buy and have a far-reaching influence on setting trends for other collectors – as well as having a major impact on the market itself."

Link here to read the full article in Financial Times.

According to this article, the occupation of art adviser has been developing more widely in the last ten years, and they are replacing the role of art dealers, and museum directors or curators in influencing the choices made by major collectors in acquiring works, as they build their collections.

This is something I didn't know about before reading this, although I'm not surprised at its development, with the very wealthy/rich having advisers to guide them through, it seems, most of their lives. I'm sure there are pluses and minuses aplenty in this 'system'. It would be interesting to know and see how the advisers are influencing national/international taste and trends. Which careers will falter; which will flourish? The article provides the names of some major collectors and advisers. It doesn't mention the artists whose works are being selected. I wish it did. Perhaps an internet search of some of them would yield what they are collecting.

WSJ: The Changing Face of Portraits

2011-08-08T12:10:00.001-05:00

This is a fascinating article published on the Wall Street Journal.    It discusses collectors paying top dollars to have their portrait painted by famous artists -- even if the portrait is bizarre or grotesque or surreal.

Defenders might say that we wear many faces in a day and the artist is simply tapping into one of them.    As for myself, I don't get it.

Is this a trend?   I wouldn't think so, though I wonder what it says about our society and what we think about ourselves...    does it represent a self-loathing?    Disrespect?   Fragmentation?   A portrait is so personal.

Evidently there are collectors who would see something profound in a grotesque abstract portrait of themselves... and seek to portray that part of their personality through commissioning an artist who is willing to capitalize on it. Perhaps there is a seeking of the 15 minutes of fame through having such a portrait done?

Certainly, none of us 'has arrived' and is without need for change or growth -- could the message be that everything about our humanness should be celebrated?

Does the acceptance, celebration and commission of distortion in portraiture signify an inability to define personhood?   Or, is this more simply a kind of playfulness? Thumbing the nose at norms?    Hmmmm...

The article certainly is food for thought.   Here's the link.   There is a slide show of the works to accompany the article.

Untitled, pastel, 11x14

2011-08-03T16:09:00.000-05:00

This is a WIP-kinda. I like that it doesn't have a 'finished' look, in that I can see the tooth of the paper... But still mulling over whether or not to fill it in some more when I pull her out again to do touch-ups.

When I saw this beautiful shopper in a local store I asked to take her picture to paint her. She said, "Yes!", but she had to rush out and I didn't get her name... it was an "argh-moment". Maybe I'll see her again... hope so.

A little pause in painting...

2011-07-29T20:43:00.000-05:00

I'm reading and studying. I found a couple online sources with some great instruction in painting. The only way I'll learn is to take some time. I'll probably finish a small painting, but then read and think and experiement.

...hope to grow and become a better artist! I'm excited about what I'm reading and it feels like some blanks are being filled in!

...more later! :)

Random thoughts. Yesterday, the 4th.

2011-07-28T15:38:00.001-05:00

Yesterday, the 4th. Their parents were ill. We changed our plan and took our grandkids out for the day, going to a picnic on a military base, where many in the crowd know the ultimate cost of the picnic. It was an honor to walk among and with those who are ready, who understand and know why.

Yes, the music was too loud. We could barely hear each other’s words. The rides had long lines. The heat, on the heavy side. The food… midway fare, probably standard. Glad we brought our own.

But celebration in our hearts made us sway and clap, as we snapped our fingers to the picnic sounds and rhythm. The steady march of liberty's beat. In sync with the drumbeat of new friends and new family we walked heirs together, of those gone before.

Our grandkids – they knew it was a special birthday celebration, topped off by bright colors and notes to crown the day, and for which they waited. Could we see the fireworks, Grandpa? Why, the candles will be lit for our country’s cake!

What fun it was! Toys and rides and long wet slides! Flags, Uncle Sam, uniforms and trams.

Our own hearts were topped over by joy of kinships shared. Not the least, the beaming and tired faces of our charges for the day.

…their rested parents joined us to see what is brightest when seen in the night sky. More than a legacy lit faces gazing in the right direction and listening to punctuations so like a call to battle.

The night sky hinders not the will of the free. The brave.

I'm working to restore the missing images from my blog,...

2011-07-28T13:05:00.003-05:00

Nearly all my images are missing... I will be working to reload them. Please check back later! Thanks!

...making art

2011-07-26T22:23:00.003-05:00

I find myself still thinking about a post written by Sandy Askey-Adams. Here. Her post was published on another blog to which I posted this comment:

Sandy, I love your post! It speaks to me! Thankfully, none of us can reach that goal! It's only in our dreams. :)

I think being an artist is a humbling endeavor, but a journey with joy alongside the struggle... the blessing of a quiet painting whispering to our soul and that of another... a glimpse of making a difference... a language our brush is learning and our heart is singing.

Maybe I'm just in the mood to think about this, but I am including here another though that came to mind as I read her post:

Though we know perfection is unattainable, we still reach for perfection somewhere down deep inside. When we look all around us, even in a chaotic situation, is there not perfection dwelling, too? Are we not programmed to reach for the stars? (I think better said, ‘to reach for God’?) And in that reaching we find the real measure of our arm’s reach. It isn’t the stars our hands find and caress. Instead, we touch what we cannot feel, we are merely human. Admitting who we really are, our pride gives way a little more as we admit the lessons learned and become, more than ever, ready for the next lesson and level. So, we grow. Fitfully at times. Not knowing even how to measure the distance to the goal ahead, but grateful for the journey and glimpses of making a difference. Setting our mind to reach toward the unreachable, stardust falls from heaven along the way. (I think better said, ‘blessings’.)

A reason to do art...

2011-07-25T21:37:00.004-05:00

I read this on Judy Crowe's Blog and liked it so much, I wrote to ask her permission to repost here. Here's what she posted:

“When you look back on a lifetime and think of what has been given to the world by your presence, your fugitive presence, inevitably you think of your art, whatever it may be, as the gift you have made to the world in acknowledgment of the gift you have been given, which is life itself. And I think the world tends to forget that this is the ultimate significance of the body of work each artist produces. That work is not an expression of the desire for praise or recognition, or prizes, but the deepest manifestation of your gratitude for the gift of life.”

She read it on Judy Joy Nocifora's website and received her permission to post it on hers. I agree with Judy, in that it would be a good quote to pass along!

Welcoming Committee, oil, 8x10

2011-07-22T12:38:00.006-05:00

This is what welcomes everyone that heads to a dear friend's house! I just had to paint it! It is a harbinger of things to come... wonderful friends, tasty food, and a beautiful friendship!

My Artist Statement

2011-07-19T21:44:00.004-05:00

Artist Statement

Teresa Cowley

I find simple pleasure in the feel of the brush on canvas. The act of painting opens another door in my mind as I imagine the story, embrace a memory or savor a concept.

I pray as I work. The colors shimmer. The lines speak. The brush caresses and cajoles, argues or submits, or shouts and whispers as the painting unfolds. Sometimes what is not said speaks most eloquently. I try to listen and learn.

At the best of times, I paint as if I have entered a sanctuary. Though it is humbling, I enter with joy. There are occasions when I have been the brush. When that happens my joy is full of rest. At other times, struggle defines the process. That’s okay. I press on… for I have learned that painting is the fermata of my soul.

I am most inspired by the majesty and splendor of God’s love in breaking man-made conditions and walls to shatter the old… to birth the new. Whether it be a glimpse, or a longer moment, I hope my work will be a reflection -- through our very lives and the creation He has provided -- of His work and touch. His redemption.

An exhibit of my artwork...

2011-07-17T09:42:00.009-05:00

Yesterday, my husband and I loaded up 18 paintings and took them to Doctor's Hospital in Lanham, Maryland for a solo exhibit. Only three of them are not in the portrait/figure category... eight originals for sale and one giclee. I'd love it if I got a portrait commission from this exhibit!

There were several comments from the staff when we were there. Heartening comments. It was so cool to be standing there and watching a staff member slowly walking down the hall and studying each painting. He didn't know I was the artist, so that made it even better to see him enjoying my work. Even savoring some of it. W-o-w.

One of the staff members remarked on how different this exhibit is -- that they usually have flowers and more flowers. She said how much she enjoyed walking down the hall and seeing all the faces instead. We spent some time together as I answered questions about the stories behind several of the portraits. That was the fun part for me! :)

"Gerry", oil, 18x24

2011-07-13T10:19:00.007-05:00

This is the last of the paintings I did when I took a Portrait/Figure class with Robert Liberace. Right before I went to this particular class I had received the news about my mother's cancer. It was exceedingly difficult to paint this as I was struggling with my thoughts. Looking back, I think I was actually in a state of shock. This became my last class, although nine were offered. I did not attend the last class. I knew it was time to put my brushes down... Mom was occupying my thoughts.

Back to this painting... our regular model didn't show up, so Gerry was recruited, although he had modeled for us before. This represents somewhere around 2 1/2 hours of hard work and concentration -- working every minute to get as much detail as possible.

I hope to take another class with Rob, and this time master the technique he was demonstrating for us. What an amazing artist he is... watching him paint was such a bonus. I worked very hard the entire time and from the eight sessions I attended I came away with seven paintings to which I refer, as well as my notes from Rob's demos, when painting the face or the figure.

Third time the charm?

2011-07-12T16:03:00.008-05:00

Still working on getting a better image... Here's today's attempt. My 3rd try. I think it is about as good as I can get it for now.

"Grandpa", oil, 11x14

"This is a portrait of my Grandpa. I remember how he loved to play checkers and would head down to the country gas station to play with his buddies. I would go with him and he'd buy me a coca-cola. I'd watch as he and his buddies would use soda bottle tops for their checker pieces.... either they were all turned up, or turned down. They had a great time solving the problems of the world and forgetting about their own.

The depression was hard on him, from what my mom has said, but he held the family together. It was a different time. Mom told us about how they were forbidden to take even an apple from the government when they came through offering fresh fruit. All her days she loved to have fresh fruit in our home and reveled in it. I think you can see on his face a mixture of living through tough times, but still a happy man at his core. He also had a beautiful tenor voice... supposedly he was the singer everyone loved and was kinda famous in his county for his beautiful singing in church.

We didn't have the pleasure of living near them, but loved our trips to see him and Grandma! I wish I had known him better, but treasure my memories... I can still see him on his porch, wearing his hat! Love you, Grandpa!"

Grandpa-sightings!

2011-07-11T20:36:00.001-05:00

Have to share something that happened today with the painting, "Grandpa", posted below.

I took "Grandpa" along with me to a favorite frame shop. The owner thought he looked familiar. It made me laugh -- there have been Grandpa-sightings all over... !!! ...among the mentions: MS, LA, TX, TN, KY MO, and now, MD... the list is growing. :) When I shared the list with her she got a laugh, too, and said he reminds her of another customer...

Kinda cool. It is so meaningful that different folks see someone they know in, "Grandpa."

:)

Grandpa, 11x14, oil

2011-07-07T16:36:00.008-05:00

I painted this last night and truly enjoyed painting more loosely than usual. I ought to paint like this more often. It felt good to my artist soul.

I used my Rosemary brushes for the first time and had to decide to continue on with them after realizing how differently they felt. I found myself wondering why all the hooplah about them, but as I continued to use them I grew to enjoy what they can do. It seemed like the more I loaded my brush, the more more I liked them.

This is a portrait of my Grandpa. I remember how he loved to play checkers and would head down to the country gas station to play with his buddies. I would go with him and he'd buy me a coca-cola. I'd watch as he and his buddies would use soda bottle tops for their checker pieces.... either they were all turned up, or turned down. They had a great time solving the problems of the world and forgetting about their own.

The depression was hard on him, from what my mom has said, but he held the family together. It was a different time. Mom told us about how they were forbidden to take even an apple from the government when they came through offering fresh fruit. All her days she loved to have fresh fruit in our home and reveled in it. I think you can see on his face a mixture of living through tough times, but still a happy man at his core. He also had a beautiful tenor voice... supposedly he was the singer everyone loved and was kinda famous in his county for his beautiful singing in church.

We didn't have the pleasure of living near them, but loved our trips to see him and Grandma! I wish I had known him better, but treasure my memories... I can still see him on his porch, wearing his hat! Love you, Grandpa!

(NOTE: 7/10/2011. This is a new image. I repainted it, but also tried new camera settings and changed the way I use my graphics program. I think this is better. Still have lots to learn but grateful for taking steps in the right direction!)

New opportunity on the horizon...

2011-06-30T17:26:00.003-05:00

I just received an email confirming an opportunity to have my artwork in a solo exhibit in a large hospital in the DC metro area. Very cool.

...more on this later...

*smile*

The Amazing Photo Realism of Edward Sutcliffe

2011-06-22T18:34:00.003-05:00

I came across the work of the artist Edward Sutcliffe. Amazing, jaw-dropping portraits. Here's a link to an interview he gave to Artfinder Blog on June 16, 2011: An Interview with the artist Edward Sutcliffe, with some of his work on this page.

Wow, wow, wow.

Beautiful smiles...

2011-06-14T20:39:00.010-05:00

I just had the pleasure of finishing and delivering a double portrait. The above is a crop from an image of that portrait. (Permission has not be granted to share the entire painting, but this is okay.) The smiles were the most difficult part of the portrait.

Have to admit I was sad to see the painting leave my studio, but what a wonderful young woman it was that took it home! It's interesting -- her smile goes with the personality I met today!

Writing my bio...

2011-05-26T22:30:00.005-05:00

Finally, after all this time and some rewrites, I think I have my bio finished and written. What a great feeling to have it behind me -- at least for now.

There's been a couple exhibits lately, to which I wanted to submit a painting for jury and which required a bio as part of the submission package. But, alas, no bio and no time to write it up to go along with the submission.

I'm going to retire for the evening relishing in the thought that I have it done!!!!! Whether or not I need it in the immediate future, it is done and in an easily rewrite-able, update-able format!!!!

Yea!!!

G' night

Free Broadcasts for Artists from Xanadu Gallery

2011-05-20T19:56:00.003-05:00

At this link, are broadcasts for artists, free, and downloadable on the following subjects:

Create a Powerful Portfolio, Get Organized, The Artist Statement | A conversation with Adam Eisenstat, Secrets of Shipping Your Art | Part 1 - Paintings, Secrets of Shipping You Art | Part 2 - Sculpture, An Artist's Website is a Terrible Thing to Waste, Is the Art Print Market Right for You and Your Work? A Conversation with Barney Davey, Reach Out and Touch Someone | Create and Maintain Your Artist E-Newsletter, Ask a Gallery Owner | Q&A with Jason Horejs,
Is This Level? A Scientific Approach to Hanging Paintings, 360 Degrees | Displaying Sculpture to Its Best Advantage | A Conversation with Peter Rubino, and Pixelated Paintings | Capturing and Processing Images of Your 2 Dimensional Artwork.

I listened to the first one on creating a powerful portfolio and thought it well presented and informative. I decided to start working my way through these generous videos. They were created by Jason Horejs, owner of Xanadu Gallery in Scottsdale, Arizona.

I hope you, too, will find them helpful! :)

American Masters at Salmagundi Club in NYC

2011-05-13T18:38:00.005-05:00

Excerpted from the home page:

"The Salmagundi Club invites you to attend its 4th annual American Masters Fine Art Exhibition and Sale taking place in its elegant brownstone mansion in historic Greenwich Village.

Forty-five of North America’s foremost representational artists are participating in this year’s event. The exhibition includes over 135 works of art, including sculpture, paintings, drawings and woodblocks. Subject matter consists of landscapes, still life, figurative works, wildlife and more. This extraordinary collection of artwork will be open to the public from
May 4 through May 19, 12:00 – 6:00 pm daily."

To see a list of the participating artists and links to their awesome paintings, link here. I suppose David Leffel's painting, "Portrait of Frank Janka" is --maybe -- my favorite. Nancy Guzik's lovely, lovely floral, "Spring Dance" is simply beautiful! Then there is Kathryn Stat's, "Road to Nowhere" -- wow!

This show is chock full of awesome works and well worth visiting online!

Rose Frantzen, Portrait Artist

2011-05-06T21:02:00.003-05:00

Rose Frantzen painted 180 12x12 paintings of people in her hometown. In this video she discusses how it came about and how it impacted her life as an artist.

I loved how she ended up deciding that the most important part of the project was the people she was painting, and not the artistic process and/or goals... !!! She talked about how their lives and stories impacted her. How she gave up her dreams and aspirations to complete the project as it defined itself in her life. Very inspiring! Her website.

"Raphael Meldola", oil, 27" x 22" by Solomon Joseph Solomon

2011-05-04T21:55:00.006-05:00

I just saw a portrait posted by a facebook artist friend that was done by Solomon Joseph Solomon. It is hanging in the National Portrait Gallery in London (the link is HERE) as well as posted to the left.

Wow, do I love this portrait. This is the first time I've heard about this artist and his work... now, to learn more about the artist!

I love this portrait. Gee, did I say that already?

Quick Update: HERE is the link on google books to download a free pdf file copy of Solomon Joseph Solomon's book on painting and drawing. Very cool.

Funny, funny online cartoon video on plein air painting...

2011-04-26T22:37:00.001-05:00

This is hilarious...

http://www.zappinternet.com/video/sujRkoZveF/Shaun-The-Sheep-Still-Life

Enjoy!

"Black Scarf', Oil on linen, 16"x20"

2011-04-25T13:14:00.006-05:00

UPDATE JULY 2, 2011:
This lovely subject has contacted me and she is purchasing her portrait! This is so cool! I'm honored to know it will be hers!
--------------------------------------
ORIGINAL POST APRIL 25, 2011
I met the subject of this painting at a wedding shower, but before I knew her name, I knew she was someone I wanted to paint. The red hair and the black scarf were part of what set her apart from the rest. But, she also had a manner about her that made it so that one could not miss noticing her. Charisma. Intelligence. Just that indefinable "something".

After getting her permission, I took several iPhone pictures and decided on this pose.

I'm hoping she'll like what she sees when I send it to her... it's a humbling event for me from the time someone says I can paint them.

"Cherry Blossoms", 14"x11", Oil on Linen

2011-04-25T13:08:00.003-05:00

This painting was done from a reference photo that my husband took of the cherry blossoms in Washington, D.C. in 2010.

Seeing them is something I guess I think everyone should be able to do at least once in their lives. They announce the arrival of Spring in a way that just has to be experienced!

Finding Inspiration on Facebook

2011-04-12T17:07:00.002-05:00

There are days on facebook when I am truly inspired by all the great artwork I see. It's awesome at times. One day, as I was reflecting on this, I wrote the following:

"It is a wonderful thing to read the many masterful threads in which artists are emerging as they paint the air with words and ideas of all colors, lining up humorous statements alongside the abstract, that become shapes capable of brushing away the cobwebs surrounding the artist block , inspiring gray matter to frame a new concept or thought that sharpens the edgy personality into something approaching a new horizon in the landscape of life... filling the palette to overflowing, as the heart softens yet again and gets lost in the joy of the zone."

There are times when I am inspired to paint, and this represents a time when I just had to write! I have some other writings I have decided to post to my blog. Enjoy! (I hope, I hope... :) )

/tc

Kenyon Cox: Comments on John Singer Sargent's portraits

2011-04-11T11:22:00.012-05:00

"Lady Agnew" by John Singer Sargent -- one of my favorite paintings!

One of my facebook friends provided a link to download the book, "Old Masters and New" by Kenyon Cox. I love Sargent and thought this excerpt from that chapter, ummmm, 'insightful'...

+++++++++++++++++++++++++++++++++++++++++++++++++

From “Old Masters and New” by Kenyon Cox. Pages 264-265.

“It is this power of accurate drawing, in its variety of manifestations from Van Eyck to Frans Hals, that has always marked the great portrait painters as distinguished from the imaginative painters ; but there is another power that has often enough been credited to them—that of insight. They have been thought to see below the surface, to form a definite conception of the character of their sitters, and to transfer that conception in some way to their canvas and to make us see it. To none of them has this power been more often credited than to Sargent, and stories are told of how this or that trait has been brought out in some picture of his which, though latent in the sitter, was unknown to the sitter's friends. On the strength of such stories, and of the impression of lifelikeness which his portraits make, he has even been called a psychologist. Is he so, or was any artist ever so ? One may certainly argue that it is the business of the painter to see what is and record it, not to form theories of why it is—to have an eye for character, if you like, not an opinion of character. He may have an instinct for what is most characteristic in a face, and accent those things in it which are essentially individual, without necessarily having any clear conception of the individuality itself. As to Mr. Sargent, there is a story which may be neither more nor less true than the others to which I have referred. He had painted a portrait in which he was thought to have brought out the inner nature of his sitter, and to have " seen through the veil " of the external man. When asked about it, he is said to have expressed some annoyance at the idea, and to have remarked: " If there were a veil, I should paint the veil ; I can paint only what I see." Whether he said it or not, I am inclined to think that this sentence expresses the truth. Sargent, like other artists, paints his impression and he paints it more frankly and directly than many, with less brooding and less search for subtleties—paints it strongly and without reservation ; and he leaves the psychology to those who shall look at the picture. His affair is with shapes and external aspects, not with the meaning of them; and because he has an extraordinary organisation for seeing these aspects truly and rendering them powerfully, with that slight touch of exaggeration which makes them more vivid to us than nature, and with those eliminations of the non-essential which are the necessity of art, we who look on can read more from the painted face than from the real one, and credit him with having written all that we have read. One need not deny that there have been artists who have done something more or something other than this—men of a different type from Sargent, more attentive, more submissive, fuller of a tremulous sympathy, more ready to sink their own personality in that of the sitter—who have given a more intimate life to their portraits than does he. Sargent is always himself,—John Sargent, painter,—quite cool and in the full possession of his powers, with the most wonderful eye and hand for receiving and recording impressions of the look of things that are now to be found in the world. The masters with whom it is inevitable that he should be compared are Hals and Velasquez ; and if it must be left to posterity to say how nearly he has equalled them, we can be sure, even now, that his work is more like theirs than any other that has been produced in the past century.”

++++++++++++++++++++++++++++++++++++++++++++++++

To download the book: http://www.archive.org/details/oldmastersnewess00coxk

The Hat, pastel, 9x12

2011-04-01T13:12:00.003-05:00

I'm still working on this one, but have it at a good spot to let it sit and decide on whether or not to continue to modify it... I'm truly enjoying working with soft pastel pencils. They give me something to do to keep my hands busy when I'm sitting in the evening and enjoying hubby's company... guess I'll not get back to crochet again...

Angela (Profile), Oil on linen, 16:" x 20"

2011-03-29T20:13:00.006-05:00

This is the portrait of Angela that I envisioned doing before I did her portrait in pastels... I ended up painting her hair twice... I had to wipe out my first attempt at doing her dreads (is that the correct spelling?).

Angela, pastel, 9x12

2011-03-25T15:42:00.005-05:00

This is my first pastel portrait. I enjoyed pastels more than I thought I would and plan on doing more portraits in this medium. This was done from a reference photo. Angela is a beautiful young woman and was gracious in letting me take her picture.

Japan

2011-03-11T16:15:00.001-06:00

Today is such a day of devastation and loss. I have been furiously working on art stuff all day as I listen and pray. I am so thankful that our oldest daughter and her husband are safe! Thank You, Lord!

Bowie City Hall Exhibit

2011-03-01T15:21:00.005-06:00

I was honored to be one of the artists invited to hang a painting at Bowie City Hall, Maryland, for a Retrospective Exhibit of their Artists of the Month. The exhibit will be up through March before they move to their new facility in April! Delivered my painting last weekend. When I got the invitation I felt so humbled -- and -- jazzed! :)

I decided to display Mom's portrait. Somehow it just felt right.

The last time I exhibited there was in August of 2010, as their Artist of the Month. For whatever reason, I don't think I mentioned it on my blog. Musta been a busy time!

"The Artist's Mother"

2011-02-23T15:33:00.005-06:00

I started her portrait last year and finished it in January of this year. When I began it I was drawing and painting out of grief, not considering whether or not the rendering was correct. When I finished her portrait it was a time of acceptance, along with the desire to simply see Mom when I was done. I see her now.

"The Artist's Mother"
Oil, 16"x20"

Mom

2011-02-23T08:06:00.005-06:00

Near the end of my life portrait/painting class Mom called to let me know about her illness. Cancer. We knew what it meant. I was able to travel, making more than one trip to be with her in her last months. She passed away in December. In her last months I watched her as she was losing her life, but embracing and yearning for heaven. Her grief was moderated by anticipation as she consistently exhibited dignity, assurance, gentle joy, and a vision for the life to come that was instructed by her faith. She 'let me in' on some of what was transpiring. I was blessed as the veil between was on occasion thinned. The Bible says, "Precious in the sight of the Lord is the death of His saints." Truly, it is so. Nonetheless it was hard and I miss her. With a grateful heart, I know I will see her again.

Mark Twain Quote

2010-11-17T21:34:00.003-06:00

I saw this on another artist's blog and thought how accurate...

"Success is the result of good judgement

good judgement is the result of experience

experience is the result of bad judgement"
- Mark Twain

That sounds to me like the process of learning to paint!

What to do anyway...

2010-11-14T15:11:00.003-06:00

I don't know what the title is to this quote. After reading this, I was encouraged to keep on going "anyway"...

++++++++++++++++++++++++

People are often unreasonable, illogical and self-centered; Forgive them anyway.

If you are kind, people may accuse you of selfish, ulterior motives; Be kind anyway.

If you are successful, you will win some false friends and some true enemies; Succeed anyway.

If you are honest and frank, people may cheat you; Be honest and frank anyway.

What you spend years building, someone could destroy overnight; Build anyway.

If you find serenity and happiness, they may be jealous; Be happy anyway.

The good you do today, people will often forget tomorrow; Do good anyway.

Give the world the best you have, and it may never be enough; Give the world the best you've got anyway.

From The Paradoxical Commandments, by Dr. Kent M. Keith. Mother Teresa quoted this often

Recent Life Figure/Portrait Class

2010-09-17T16:14:00.006-05:00

I recently finished a class given by Robert Liberace on painting the figure/portrait from life. It was a challenge and an opportunity for which I remain grateful. Rob is an amazing artist and, imho, a contemporary master. I would recommend a life class to each student of art, and particularly to those who are interested in figurative/portrait work. It requires such concentration to draw and paint from life, but it is worth the effort as you sense your skills becoming sharper and more refined. Though I still have lots to learn, I feel more confident in painting the figure than before!

John, 18"x24", oil

2010-08-19T12:55:00.003-05:00

This painting was started in a life portrait/figure painting class. I'm not sure how much time I spent on it in class. Over two hours for sure, less than 2 1/2... I didn't keep close track. But, I did come home with enough information to continue painting on this and just about finish it. I'll probably do a little bit more on it.

John is a WWII veteran (served in the Pacific). Around 90 or so years old. Good sense of humor that each of us appreciated... fun to paint. We all hope to paint him again. I was honored that he took a photo of what I had done before he went home. Very cool.

On Tap, oil, 12"x14"

2010-08-04T19:38:00.003-05:00

Finished this one a little bit ago but finally got a good image made...

When I saw the waitress filling and carrying the mugs, I thought it would make a good picture and asked her to let me know the next time she filled up a tray. This is the result.

so good to be painting...

2010-07-15T16:21:00.002-05:00

just checking in... finished one and on to another... the new one has three faces in it and is a challenge. it feels so good to be painting...

Orpha H. Logan, oil, 12"x24"

2010-06-15T08:01:00.006-05:00

This is the painting of a dear friend's grandmother (done from a black/white photo). What is wonderful about Orpha is the joy that remains in the heart of her granddaughter at the memory of her... I was honored to paint her, and was so thrilled to see my friend's face light up at her first glance at this portrait! I have a few more adjustments to make and might not get back to it as soon as I would like. Seems to be my schtick lately.

April Roses, 22"x28", oil

2010-06-13T16:29:00.003-05:00

This painting took me a long time to finish. I had to put it to the wall before finishing it... !!! I am soooo glad it is finally done. I learned so much in the process and hope to remember and apply the lessons in the future!

February Bouquet, 12"x24", oil

2010-04-15T19:49:00.004-05:00

Well, what do you know? I .finished a painting. This was done in many five minute increments... our daughter and her family have been staying with us over most of the past eight weeks. Surgery for her and renovating their home. They are about to transition back to their community for the final week or two as their home comes together. It has been a great time with them... painting was simply out of the question until just recently in their time with us. I will miss them sorely when they are back in their own digs... I will probably head to the studio just to paint and paint and paint and then paint some more so I will not miss them so much. Kinda like empty-nesting all over again. *sigh*

Great Quote...

2010-02-10T19:54:00.006-06:00

An artist friend of mine posted this on facebook...

When you start working - everybody in your studio; the past, your friends, enemies, the art world and above all, your own ideas - are there. But as you continue painting, they start leaving , one by one, and you are left completely alone. Then, if you are lucky - even you leave. -Philip Guston quoting John Cage

How true, how true.

I like snow, but...

2010-02-10T18:26:00.006-06:00

All the snow in the Washington area! We have shoveled out three times. Hopefully, today is the last time. Started a couple paintings with all the "down" time. :-)

Still unpacking...

2009-08-26T15:01:00.002-05:00

We're still unpacking.

*sigh*

Hope this is over and done with soon...

Still, though, lots of good things happening now and I'm so thankful for it all !

June 09, already!

2009-06-22T12:01:00.004-05:00

I cannot believe how long it has been since I last posted. We have moved out-of-state, and into a new home. It has been a long journey and I can finally see the light at the end of the tunnel. I'm looking forward to unpacking my studio and getting reacquainted with brushes, paint and canvas once again.

...still in boxes...

Julie's note regarding her portrait

2009-01-18T20:06:00.002-06:00

Julie wrote me a note about her portrait... her note touched me deeply and I quote some of it here:

"The Christmas gift you painted for me is just so... awesome! I truly and totally love it. When I opened it on Christmas Even, the room actually went still. My whole family, after lifting their jaws off the floor, commented on how much the picture looked like me. I haven't framed it yet, but hopefully this weekend. I'm not positive but I think I'm going to take it to work.

...I want you to know that this painting means a lot to me. Thank you... It's beautiful."

Welllll... when I read her note my eyes filled with great big ole tears. Julie is someone special to me.

There are no words to express just how much it meant for a portrait to have this kind of impact. It is the best reason to pick up the brush.

After "Flowers on a Window Ledge, after John LaFarge", oil, 18x24 (My tribute...)

2008-11-11T12:55:00.003-06:00

This painting was done in a college level oil painting class under direct supervision of the instructor. I was inspired by a painting of John LaFarge (an American Impressionist) , “Flowers on a Window Ledge”. I’ve seen the original painting at The Corcoran Gallery in Washington, D.C. and I’ll never forget how amazing it is. Weak though it is in comparison, this is my tribute…

Julie...

2008-11-04T13:45:00.009-06:00

This painting is done from the a reference photo I took of Julie... She had a glow about her as we were on a walk together. Her radiance was what I wanted to capture.

Oil, 11x14